![]() There’s the iconic, symmetrical overhead crane shot of Andy standing in a large field, arms outstretched during the rainstorm.Īndy finds his freedom after crawling through miles of sewage pipe. In fact, the visual storytelling reaches its high when the wrongly imprisoned protagonist Andy Dufresne succeeds in his escape plan. And one of the primary reasons for the prison drama’s timeless feel is Roger Deakins’ subtle camera movements and framing. Andy’s Liberation, The Shawshank Redemption (1994) Image Source: ign.comįrank Darabont’s Shawshank Redemption is an example of a simple story told in a deeply resonant manner. They burned down one for the final scene by filling it with gas through the perforated wallpapers.ģ. Deakins also states that they built two identical sets of the hallway. In order to augment the lighting set-up, Deakins cut holes behind each of the wall sconces to have more light source than just the practical lamps. The ominous shot of the hallway also bears some resemblance to Kubrick’s The Shining. ![]() Eventually, it ends with an eerie and explosive shot of a flame-filled hallway. Barton moves to a hotel room and as the demands of the job adversely impact the man’s psyche, the claustrophobic aspect of the setting is also amplified.ĭeakins repeatedly focuses on the hotel’s wallpapered hallway to gradually build up the unrest. In Barton Fink, the protagonist is a renowned playwright, who is recruited by the Hollywood machine to write a populist script. Coen Brothers are best known for crafting darkly comic misadventures of men. And their fruitful collaboration began with the 1991 satire Barton Fink. Though Roger Deakins has lent his talent to a wide-range of filmmakers, he is the go-to cinematographer of Coen Brothers. The Hallway, Barton Fink (1991) Image Source: Here in this master shot it reinforces the particular mood of pensive sadness.Ģ. ![]() Clouds are one of the prominent elements in Deakins’ cinematography. The somber atmosphere perfectly conveys the character’s melancholy and agony as his dreams are crushed in the depths of drug addiction. But the stand-out moment in the film is the long-shot of Sid standing amidst the cloudy New York landscape. Nevertheless, Deakins finds some beauty even in the most decrepit situations, For instance, the shot where Sid and Nancy kiss in a garbage-filled street. Deakins went for a more verite style, observational and documentary-like, to closely capture the volatile energy between Sid and Nancy. The temperamental couple gradually spiral down as they are caught in the clutches of drug addiction. Alex Cox’s Sid and Nancy is a grim, biographical tale of Sid Vicious, the bassist for British punk rock band Sex Pistols, highlighting his troubled relationship with girlfriend, Nancy Spugen in New York. This is one of the earlier works of Deakins which proved that he is a wizard behind the camera. The Melancholic New York City, Sid and Nancy (1986) Image Source: Here’s a look at some of the iconic shots conjured by the master craftsman.ġ. From Shawshank Redemption to Sam Mendes’ 1917, Deakins has been nominated a whopping fifteen times for Oscars, winning twice. ![]() Over the years, Deakins became the most sought after cinematographer working in Hollywood. ![]() Then arrived the opportunity to collaborate with Coen Brothers in Barton Fink (1991), the first of many. He worked in critically acclaimed movies like Sid and Nancy (1986), The Long Walk Home (1990), and Homicide (1991). Roger Deakins debuted as a cinematographer in feature-films, starting from Michael Radford’s 1984, an adaptation of George Orwell’s popular dystopian novel. Later in the 1970s, he moved to Canada and joined the National Film Board of Canada to shoot documentaries all over North America. He graduated from Britain’s National Film School, and started his career as an assistant cameraman in the 1960s on British television documentaries. It’s why he has been able to easily collaborate with great filmmakers and be part of groundbreaking projects.īorn in the UK, Roger Deakins is the son of a construction worker and an actress. He works to serve the story’s requirements rather than impose his own style. One of the most influential and highly regarded cinematographers today, Roger Deakins is a master of lighting and composing rich, painterly shots. From The Shawshank Redemption (1994) to 1917 (2019), here’s a look at some of the most iconic shots from Roger Deakins movies. ![]()
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